I have always seen the intricacies of life forms – patterns that often escape the casual viewer. My mother once told me, “You can complicate a straight line!” This abstract piece does just that – moving pieces of straight lines to and fro to reveal a more interesting pattern.
Purple is between cool blue and hot red on a color chart. It is has a mystic quality and people who prefer it over other colors are said to be creative, sensitive, compassionate, and understanding. It is less common in nature than other colors. People either love it or hate it. I love it.
The architecture of the Aztecs was well planned, geometric, and often included intricate designs. Their art, also more geometric than organic, often included very bright and distinctive colors. These four companion pieces reflect tightly fitted design elements, vivid color, and the “building up and over” approach the Aztecs used.
This abstract piece has two interpretations. On one hand, it is reminiscent of fields of produce seen from above. In addition, for those of us who are concerned about what we re doing with our planet, it is about choosing products (from soap to trash bags) that are recyclable, biodegradable, etc. Going green is the only way to go.
Sheep Gap is the location of many conifers – Douglas fir, ponderosa pine, and larch, northwest of Plains, Montana. We frequently pass the dirt road leading up, up, up to the site where at least one sale of timber through the Montana Department of Natural Resources and Conservation generated income for the Montana School for the Deaf and Blind.
Absinthe is an anise-flavored, highly alcoholic, beverage that originated in France; it is typically green in color. Many famous artists imbibed, including Toulouse-Lautrec, Picasso, Van Gogh, and others. Because it was the drink of choice for some famous painters, the touch of red is what undoubtedly would have happened to a glass handled too soon after painting.
We all remember, and sometimes still experience, the excitement of going to the carousel. We wanted to hear the melodic music, see the painted animals, and feel the thrill of traveling around and around. These companion pieces reflect the vertical movement, the poles for each animal, and the array of colors a carousel provides.
Those in my age category will remember our childhood friends asking – “What is black and white and red all over?” -- a newspaper of course. This makes sense only when you translate the adjective ‘red’ to the verb ‘read.’ This piece uses what we heard when we were asked the question – black, white, and red.
So many things have been said about Frank Lloyd Wright. What I like most about his work were the clean vertical and horizontal lines that many of his designs featured. This piece reflects those lines and along with some bright colored transparent glass in honor of his stained glass accents.
Mother Goose and toy makers were the basis for this piece: One, two, buckle my shoe; three, four, shut the door; five six, pick up sticks; seven, eight, lay them straight; nine, ten, do it again. I always thought the nursery rhyme meant brown sticks from the yard, but toy makers had other ideas.
This piece was inspired by watching the rise and fall of the Clark Fork and Flathead Rivers. The water is sometimes so slow that movement is barely perceptible and other times moving at a raging pace that is frightening to see. This study-piece was to see if glass could capture some of the water’s movement.
When I was four years old we lived in one of two identical apartment buildings. Because they were on a busy street, I had to play between them in a very narrow, rock-strewn space, so I was surrounded by bricks. I soon learned the softer rocks could be used to decorate the bricks in different colors, making the space more to my liking.
The music of a harp has always been mesmerizing to me. This image was inspired by a television camera showing a close-up of harp strings running from short to long while the music flowed magically from each: the higher notes coming from the shorter strings and the bolder notes from the longer ones.
The Christmas landscape in New Mexico often includes traditional Hispanic luminaria, paper bags that hold inside a base of sand and a single candle. The effect is most striking when there are many luminaira, each bag illuminated, with a bright spot in the middle where the candle flame burns brightly.
This abstract work was inspired by a frosty, snow-covered landscape painting done in monochromatic shades of white. The reality of snow is that what we perceive as blanket of “just white” snow or frost is actually comprised of very complex crystals, each with an intricate structure and pattern that we do not see.
This “basket weave” pattern is inspired by a landscape painting that uses only vertical and horizontal brush strokes. The pattern made by light and leaves in that scene, the visual interdependence of intertwining trunk, limbs, and leaves, brought to mind the warp and weft of a woven basket.
The Sargasso Sea, in the middle of the Atlantic Ocean, has a prevalent seaweed, Sargassum. Often criticized as a nuisance by fishermen, young fish and other marine life use the fronds of this plant as a shelter, food, and a place of protection. This piece is just a glimpse of that ocean microclimate.
This piece was inspired by watching the rise and fall of the Clark Fork and Flathead Rivers. The water is sometimes so slow that movement is barely perceptible and other times moving at a raging pace that is frightening to see. This piece was to see if glass could capture some of the river’s low-water movement.
This piece was inspired by watching the rise and fall of the Clark Fork and Flathead Rivers. The water is sometimes so slow that movement is barely perceptible and other times moving at a raging pace that is frightening to see. This piece was to see if glass could capture some of the river’s rising-water movement.
Watching the rise and fall of the Clark Fork and Flathead Rivers inspired this piece. The water is sometimes so slow that movement is barely perceptible and other times moving at a raging pace that is frightening to see. This piece was to see if glass could capture some of the rives high-water movement.
Outside of Butte, MT stones with eroded, round edges, fit together so tightly that they look artificial. Although the true colors are monochromatic grays, the bright colors in this abstract piece are to highlight each individual stone as unique, playing its own role in the tight squeeze.
This abstract piece shows the patterns created by a cityscape. A city seen from above is much like a puzzle, with all of the pieces fitted neatly into horizontal and vertical rows. The colors, however, are intended to show the pattern in more vibrant tones than the typical monochromatic grays of a city.